art projects & residency


UNPACK STUDIO is an independent platform for artistic collaboration based in Toronto, Canada. It is aimed at coordinating and curating contemporary art projects.

Our mandate is to provide a context for aesthetic research developed in the cultural, linguistic and political articulations of knowledge, particularly reflecting on the understandings of migration, race, gender and power. We are interested in investigations aimed at exploring the conceptual intersections and points of rupture of these definitions.

We seek to potentiate artworks that reflect on the negotiations that discrete concepts and fields of knowledge are subjected to when extrapolated to other cultural spaces or disciplines, whether through life experience or research. Our objective is to promote the work of artists and curators that question the validity of definitions as absolutes, in light of the trans-disciplinary nature of contemporary thinking.



The UNPACK STUDIO Havana Art Residency program is open to visual artists, curators and researchers. The self-directed residency runs from three to seven weeks and comprises of independent workdays, meetings with an internationally recognized Art Contact and possible presentations at art institutions in Havana.

The artist can create local-foreign collaborations, interact with contemporary Cuban practitioners and give Cuban art students the opportunity to see diverse practices. Creatives can research, produce new work individually or in collaboration, network with artists, art students, galleries, curators, and explore Havana.

Unpack Studio residency in Cuba is strategically situated in Vedado, a central and popular neighbourhood of Havana, with easy access to all areas of the city (view map). There is walking distance access to food markets, stores, internet wifi spots, jazz bars, swimming pools, art galleries, cinemas and theatres.

* Read more about our residency program
in this link

Blogging from Havana

Aimee Suzara @Unpack Studio

As I’m a writer, this blog was very difficult to begin, not because I didn’t know what to write, but because I have too much to say. This was my fourth time to Cuba, but only my second to La Habana, and certainly the longest stretch I had spent in the country. With so many recent developments from the storms that hit Cuba and Puerto Rico and changes in U.S.-Cuban relations, it’s been hard to draw out my reflection on the residency alone.

Aimee Suzara
Aimee at Unpack

Overall, my residency at Unpack was a profound experience which changed me and was invaluable to not only my writing project, but my creative work in general; whereas in prior trips I had gone to take dance classes and travel, this time I had the opportunity to settle into a neighbourhood, feel the experience of living there while getting deep into the creative process.

I went to Cuba to work on a book project. This will be my second full-length book, and for me, research is very holistic – it involves finding information, objects and artifacts, roaming, listening, seeing, reading. I arrived with themes and questions and topics and pursued them as a researcher would, then wrote what often came out as journal, letter or poetic notes. These themes largely focused on historical resonance between Cuba and the Philippines and include colonialism, imperialism, slavery and racism, cultural resistance, religious and cultural syncretism; I was delighted that with the support of Unpack, I was able to hone in my subject matter.


Banyan Tree in Miramar
Banyan Tree in Miramar

Perceived identity heavily influences experience in Cuba. I am a Filipina-American who is semi-fluent in Spanish. As I am brown-skinned and “Asian” I can be mistaken for a “China” or mixed Cuban-Asian from afar, and I found myself often semi-“passing” as such until I opened my mouth. This serves me in terms of not having to fend off hustlers targeting tourists as overtly or often; being able to enter an immersive space is precious for an artist. At the same time, to be from another country in Cuba involves constant learning. Cuba is a complex place when it comes to class, race, gender, citizenship, which dollar you carry…and there is essentially a segregated manner in which the two currencies function, separating the world that foreigners experience from that of local Cubans. These are areas I am interested in as a woman of color and topics in my writing.


What’s very familiar to an accidental artist-scholar like myself is that the process is as much about what you find as what you don’t find; or where you end up, which can often be very different from where you began. This was very much a characteristic of my experience at Unpack Studio and in Cuba. The multi-talented daily coordinator, Laura, became my partner in crime as we often searched for particular data and books in libraries and museums, only to find that they were closed or that information was not available. But often we’d find ourselves discovering an open door in place of the closed one. For example, Laura and I spent many hours one day searching for the Philippine Embassy, walking up and down a street in Miramar, speaking with guards who all pointed to the same address I had found online, which in reality was the Panamanian Embassy. Only days later, with Omar Estrada’s help digging, did I learn that it had been closed down several years ago. But — in that process, I got to see so many other embassies, and ended up taking photos at a beautiful grove of banyan trees which reminded me of ones in the Philippines – in fact, these symbolically are important to my writing because there are stories about spirits that inhabit them. Another experience was the “accidental” meeting of several Filipinos, including one interview that is a million times more valuable than any book or data could provide. Making art in Cuba is a process of discovery, surprise, “wrong” turns that end up being right.

Mayu Shirai, Laura and Aimee
Mayu Shirai, Laura and Aimee

The residency was full of creative breakthroughs largely because of the invaluable support and knowledge of Wilfredo Lam Center Director Dannys Montes de Oca, the delightful artist and Vice Dean of Visual Arts at the University of Arts (ISA), Ossain Raggi and Laura Balbuzano, the daily coordinator, that latter with whom many fascinating conversations spanning writing and music to politics as well as adventures in research were essential to my rather swift and deep learning process. Although Dannys and Ossain are not in the literary arts, the cross-disciplinary perspectives were actually very useful for me, as my work is interdisciplinary.

A few specific highlights follow spanning the portions of time I was at Unpack Studio:


Arrived to Laura and Paco, and a naranja refresco. Arriving to the house, we took the usual walk around the neighbourhood to figure out where the nearest shops and such were, the Malecón, the Café Bohemia where I would often write. And then settling into my room, the house painted in my favorite color, shades of yellow, and lots of light, I met my housemate the architect/photographer Dana Moody.

Park in Vedado
Park in Vedado

During this week Laura brought me to some sites, including the Museo de Bellas Artes. We visited UNEAC and I went on my own to the Havana International Poetry Festival’s closing event. I saw and met Nancy Morejón, Eduardo Morales and even the United States former Poet Laureate Robert Hass. The Cuban poets focused on their stance as UNEAC artists condemning President Trump’s speech in June stigmatizing Cuba and attempting to reverse the advances in US-Cuba relations established by former President Obama. Another highlight of this week was getting familiar with the Nicolás Guillén institute housed at UNEAC and attending a poetry event hosted by them.

WEEK 2— July 17-23

At Library
At Library

This week, I hit up libraries such as the Fernando Ortiz library, to engage in historical research. We also hit a lot of dead ends. Lesson #1: be prepared for things not to work out in Cuba as planned. This week, I met Dannys Montes de Oca; she offered excellent ideas, advice, and books that were helpful for my research. There was a particular book she lent me which was precisely what I had been looking for. Also, I discovered that even when institutions did not have the books or data, usually there was at least one person well-versed with the historical parallels between Cuba and the Philippines. This was another feature that permeated my investigations – Lesson #2: be prepared to learn things from actual people (not the internet, not books) in unexpected ways.

Ossain Raggi met with both Dana and I; later this week, I was able to meet with a descendant of a Filipino who had come to Cuba at the turn of the century – this could not be more on the head with what I was researching and writing about! This was another example of Lesson #2 at work.

WEEK 3 – I left Unpack for one week for Santiago, to experience el Carnaval. There, I started to write bilingually and trilingually. Lesson #3: creative process surprises you, even in your sleep. I was thinking and even dreaming in Spanish.

WEEKS 4-5. Returning after el Carnaval in Santiago, and having more than become familiarized with my environment in Vedado, I was ready to write! Dana, with whom I had engaged in so many useful creative, scholarly dialogues, joined for meetings about architecture in Havana, had departed, so I was able to read and write for hours on end to the whirring fan and Omar Estrada’s paintings, making espresso and fresh mango smoothies throughout the day; I’d occasionally go out dancing during the nights or simply take solitary strolls or writing sessions by the Malecón.

WEEK 5 – Aug 7-Aug 14

I returned to the Museo de Bellas Artes for the temporary Sin Máscaras exhibit, which focuses on Afro-Cuban contemporary art, with Ossain. Here, I got acquainted with the work of photographer/filmmaker, Juan Carlos Alom, as well as Carlos Mandive, both of whose work I found very fascinating. I was fortunate to later meet Juan Carlos Alom and discovered that one of my friends in Santiago, a dancer, had worked closely with Carlos Mandive. Lesson #4: When in the creative flow, synchronicities abound. You may receive magic.

WEEKS 6-7 – travel

WEEK 8 – Aug 29-Sept 2

Revolución y Cultura
With José León Díaz

While I was not officially at the residency any longer, I was still in my writing process and wrapped up meetings and trips that I had not completed during weeks 1-5. I was lucky to meet author, editor Edel Morales as well as visit the office of the magazine Revolución y Cultura. As a surprising additional activity, the new resident at Unpack Studio, Mayu Shirai from Japan, and I, began to engage in cross-disciplinary dialogue and I suggested we do an on-site collaboration, with little preparation. I wrote and she created gesture, drawing from cross-cultural epiphanies we were having about Japan, the Philippines, Cuba and the United States, and at the scenic ruins of the Trotcha Hotel, we did several takes of a text-dance piece, “Art is…instinctual.” She also filmed me performing my new piece “We, the Beasts,” at that same site.


Aimee and Mayu short excerpt

The outcomes of the Unpack Studio residency were beyond my expectations. It helps that I am interdisciplinary both in what inspires me to write as well as how it manifests. But as testimony to the power of the artistic “accident,” I found myself not only yielding new poems and collecting new creative “data,”—I also did a dance-text performance, recorded two spoken word poems at historic sites, made a series of informal video blogs, engaged in interviews, and returned to be invited to perform portions of my writing coming out of this residency with musicians – the Kronos Quartet.

We the Beasts by Aimee Suzara


Thank you so much to the organizers of Unpack for helping support the very important, often mysterious and at-times-precarious beginnings of my new book project – and helping me establish a new and deepened relationship with place and people in Cuba. Muchas gracias a todos.

Aymara, Ossain, Alom, Felko and Aimee
Aymara, Ossain, Alom, Felko and Aimee


This blog is a brief summary of what will be further explored on my personal blog, There, you can see videos and more photos. Also visit my Facebook Artist Profile, Aimee Suzara, and my website, Sign up for my newsletter at

Dana Moody Art Residency in Cuba

My experience with Unpack Studio Havana Art Residency far exceeded my expectations! As a professor in Interior Architecture and Design at The University of Tennessee at Chattanooga, I came to Havana to document Cuban architecture and current preservation practices, both through meeting with and interviewing preservationist professionals and by creating a photographic documentary series. I… Read Full Post

Catherine Beaudette @UNPACK Havana

Unpack Studio, 7 y C, Vedado, Habana April 2017  Week 1  I arrive in a heat wave so hot I will need a coping strategy. I rent a bike that’s too expensive and realize I should have bought one to donate to Unpack. Oh well, I am happy to be freewheeling through the colourful streets… Read Full Post

Kern Saunders @Unpack Studio in Havana

Cuba felt like home but with its unique twist. I’m a visual artist hailing from the islands of Trinidad and Tobago… So being introduced to my Caribbean cousins was, in short, an experience like none other. The people are some of the warmest hearts I’ve felt. Starting with Omar Alberto, the ever smiling daily coordinator… Read Full Post

Norman Barney @Unpack Studio

My name is Norman Barney, from Ontario, Canada. I just returned home from a short fifteen day stay at the Unpack Studio Artist Residency in Havana, Cuba. I have had two residencies at the Banff Centre last fall (2016) as well as the spring residency in 2015. Having gone to Cuba now and then for… Read Full Post

Beau Coleman @Havana Art Residency

  January 12th Almost a couple of weeks in Cuba and I feel like I’m just starting to get into the island rhythm.   There’s a lot to adjust to here, but what I’ve enjoyed most is the warmth of the people I’ve met and the simple day to day moments of life, whether it be… Read Full Post

Laura Barron Havana Art Residency

I am a photo-based artist. I’ve been working on a long-term project that involves travelling in Latin America. I have participated in numerous artist residency programs while pursuing this project, but my experience at Unpack Studio Havana Art Residency has been my favourite. I’m Mexican, but I have a long personal history with Cuba. I… Read Full Post

Jennifer Ray @UNPACK Havana

Upon my arrival to Havana, it quickly became clear that Cuba is not an easy place to navigate for a foreigner, much less if you don’t speak Spanish. During my stay at Unpack Studio Havana Art Residency  they arranged studio visits with artists’ whose work was relevant to my own, planned excursions outside of the city, and… Read Full Post

Peter Kingstone @UNPACK Havana

My residency in January  2015, was the second time I had been to Havana. The first time I went, I wanted to see the sites, experience the space, and try to understand how to move about the streets. The second time I went I wanted to meet people and start producing artwork. Having the opportunity… Read Full Post